U.S. singer songwriter and multi-award winning “Queen of Country’ Miranda Lambert
is currently touring North America on her “Keeper of the Flame’ tour, featuring 27 x
Robe BMFLs – 19 Spots and 8 Blades – part of a completely new lighting design by
Minneapolis-based Paul “Arlo’ Guthrie, his first for the artist.

Arlo’s brief from Miranda Lambert herself and her production and management
teams was to help create a show focused on her powerful music and great
connection with her fans, rather than relying on gags, ego ramps, confetti blasts
and wizzy effects.

This was a great starting point that automatically evoked a thoughtful and intelligent
approach to the visuals. She wanted a clean stage look with a “mild’ touch of retro
/ vintage and some “subtle visual clues from classic theatres’ and she didn’t want
an overwhelming or dominating video presence onstage.

Instead, his design includes five elegant wood-framed columns of LED screens
alternated with six bent-wood lighting towers on floor bases. Above this are five
upstage / downstage trussing “fingers’ and two standard straight trusses.

“I wanted the whole stage to have a straightforward and clean look and to ensure
the LED blended seamlessly into the environment rather than being stark, obvious
and contrasty,’ explained Arlo. The playback video content created by Empirical
Studio has followed this aesthetic through beautifully, giving the video a softer and
more filmic projected look and feel.

The lighting was then layered in to dovetail with that approach.

The lighting fingers and the video columns also all move up and down on a Kinesys
automation system, changing the shape and architecture of the space for additional
variety.

Arlo wanted powerful, versatile spot and profile fixtures with the finesse and
features to continue the visual integration.

Having just enjoyed using BMFL Spots on the Macklemore & Ryan Lewis tour, he
decided to specify them again.

They are positioned on the lighting fingers and on the mid and upstage trusses and
used extensively for side, back and key light. Two of the BMFL Spots are utilized as
the upstage follow-spots, matching the colours and look of the general lighting
perfectly.

“The precision of the BMFLs generally and the shutters on the Blades in particular
are exactly what I needed. The beams slice through to define the band members
exquisitely.’ He adds that having the serious BMFL “firepower’ for the long throws in
some of the venues is really helpful.

Arlo programmed the show with Taylor Pierce who is out on the road as lighting
director, with the equipment supplied by Upstaging.

“Miranda is great to collaborate with, her touring and management teams are
excellent to work with, she looks and sounds fantastic and I have really enjoyed the
whole experience,’ concluded Arlo.

The tour currently is scheduled to continue until mid-September in the U.S., with
production being managed by Erik Leighty and live video direction by John
“DeathRay’ Clark.